The choir loft is rather cramped and the seating is not well-laid out. For both of these pieces, we gathered around the organ in a semi-circle to better see our director and improve blending. We had a couple of fumbles, and the tempo of the Salve Regina was much faster than we rehearsed it, which threw us a bit. But the music is beautiful and lovely to sing.
The postlude was a spooky Marche Funebre by Louis Vierne that probably scared the babies waiting to be baptized after mass!
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